Gender Discrimination is Not a Joke

Within art lies expression; within expression lies the truth. The truth about us, our society, and the world in which we live. June 2015 was a significant month for many around the world. Feelings of love, joy, and pride lit up the streets as the journey that began with a shunned third gender turned into a celebration of LGBTQ marriage equality. Now, we live in an era where there is so much more then having to identify oneself as either male or female, and yet, there are so many who still seem intolerant towards accepting a social construct that isn’t black and white.

The Diagnostic and Statistical Manual of Mental Disorders (DSM) is the standard classification of mental disorders used by professionals all over the world. Homosexuality remained a mental illness in the DSM until 1973, which meant that if one’s sexual orientation transgressed from the norm, they were seen as mentally ill. Similarly, individuals battling with their gender identity yearned for the removal of Gender Identity Disorder (GID) from the DSM for years. The replacement of GID with Gender Dysphoria in the DSM-V was meant to help remove the stigma that transgender individuals faced with label ‘disorder’, but unfortunately, this wasn’t successful.

            Art breaks the boundaries of norms created by society. It pushes us to see a world beyond the superficial masking of definitions and labels created by narrow minds. Over the years, the objective for creating art has shifted from aesthetical pleasure to political statements, as artists have realized the true power of controversy. Daniel Arzola is one such artist who has used art as a platform for tackling LGBTQ prejudice. His campaign posters titled “I’m Not a Joke” aim to spread awareness of the community in light of recent violent acts against them.  

            The hate crimes faced by LGBTQ individuals include physical and psychological pain. Once meaning carefree or joyous, the term ‘gay’ has evolved to represent one’s sexual orientation in the most derogatory way possible. Children in schools use it to describe a crappy situation without realizing that there are others out there who define themselves with this term. We are so caught up with viewing the world through our restricted lenses that we categorize any feeling or behavior as abnormal, if it differs from our subjective view of what is normal. Being a homosexual, transgender, or queer is not a joke. It’s not a lifestyle that one chooses to lead; it is just the way one is born.

In an interview, Arzola stated that he started the “I’m Not a Joke” campaign because an eighteen-year-old boy from Maracay was attacked at his school. Students thought he was homosexual so they doused him with gasoline and burnt him alive. The 2013 National School Climate Survey reported that fifty-five percent of LGBT students feel unsafe at school because of their sexual orientation and thirty-eight percent feel unsafe because of their gender expression. These numbers suggest that we have an important issue at hand, so why is it that we are still ignorant towards such hate crimes? Since the government is not spending its resources towards addressing such controversies, it leaves the act of addressing to those that have an influence over the public.

Arzola’s campaign posters have become viral on Facebook, Tumblr, and Twitter. While the rise in technology has increased the risk of cyber bullying, it has also provided artists and activists with a huge platform to have an open discussion about controversial topics that many people try to avoid. This is the beauty of contemporary art, its ability to take real issues and to throw it at the public. The beauty is no longer at the surface, but in what lies beneath the message; a message that Arzola boldly expresses through every poster.

My sexuality is not a trend; your ignorance seems to be. I’m Not a Joke.

Nobody has the right to hurt you for being different. I’m Not a Joke.

What you call normality is actually repetition. I’m Not a Joke.

We aren’t your fantasy; we’re our reality. I’m Not a Joke.

I’m able to love in all forms. I’m Not a Joke.

            I leave you with these phrases created by Arzola and hope that his message is loud and clear. It is now our responsibility to help promote a discrimination free environment, and art is one route to spread such awareness.

Nikita Wadhwa

Terrorist Wanted: ISIS' recruitment strategy

“The ISIS death cult threatens the people of Iraq, the region, and the wider world,”

                                                                                              -Australian Prime Minister Tony Abbott

Social media has managed to pervade all aspects of our life. It is not surprising then, that radical extremists from all corners of the world have begun to make use of it. It offers interactivity and reach unlike any other medium, besides being cheap and easy to use. While Al-Qaeda, set the precedent for using social media to propagate its violent messages, it is ISIS [Islamic State of Iraq and Syria] that has emerged as the pioneer in the field of harnessing social media to make its presence known and felt. So much so that governments and intelligence agencies across the world today are realizing the need to ‘win the internet’ in order to succeed in their fight against terrorism.

It is ISIS’s unique use of social media as a recruitment strategy that makes it a particularly terrifying enemy.  Its mastery of online communication and its skilful use of social media has managed to gain itself an audience with not only people from the Middle East (who would be more likely sympathizers) but also Muslims in the Western world. ISIS has thus realized the need to go virtual in order to make itself relevant and its presence felt. Its media initiatives are tailor-made to the propaganda it seeks to spread. Primary among them being its recruitment of young Islamists into the ‘Caliphate’.  Its foray into ‘Western’ social media like Facebook, YouTube, and Twitter as well as its proven capability of developing complex coding [as seen in ISIS created Twitter app called the ‘Dawn of Glad Tidings’] have ushered in a new unique form of Electronic Jihad.

Their sleek social media strategy thus appeals to the disillusioned Western youth. Whether it is plain curiosity or a need for validation, ISIS seems to have something for everyone. They understand the power of information and the compelling use of powerful imagery in social media; and they aren’t averse to using it to inspire their recruits as well as instil fear in their opponents. Images of gore, beheadings and violence have appeared side by side with images showing foot soldiers eating Snickers bars and nurturing kittens. ISIS has thus managed to construct and control its narrative on social media, and is perhaps why it has been more successful in recruiting foreigners into its fold as compared to other extremist groups. Their recruitment strategy is not limited to males alone. The small but disturbingly rising network of female supporters have left governments across the world worried. Despite the reality that they will be subjected to the harsh Sharia law and be delegated to traditional gender biased roles of mother and wife, young Western women are risking life and limb to travel to ISIS-controlled lands in addition to using social media themselves to promote support for ISIS.

ISIS realizes that in order to be viable in the long term, there is a need to establish a state. And to do so would require the establishment of basic services for the population and the creation of a revenue system, which would not be possible without an educated workforce. Their social media recruitment strategy now seeks to engage successful professionals that include doctors, engineers, and teachers, in addition to fighters. The internet is not the only tool for radicalisation, their monthly magazine Dabiq [that serves as glossy guide to terrorism how-to] in its August 2014 issue appealed to this audience to come and aid in the formation of this nascent Islamic state. Furthermore in an attempt to control their narrative, besides using social media ISIS is now looking to recruit professional media personnel. In a way, ISIS seems to be redefining Global Jihad. As opposed to Al-Qaeda, that used social media to proliferate affiliate groups and regarded America in particular as the enemy, ISIS uses social media as the key to developing a Muslim state while branding the entire West as the enemy.

We can therefore conclude that ISIS has not invented any new strategies of violence but has merely redefined and enhanced it to create a modern brand of terrorism. Its sophisticated use and understanding of social media, executed with sleek, Hollywood style action has made it a threat that at all costs must not be taken lightly. Governments will need to unite if they intend to win against ISIS. Efforts will need to be focused on dismantling this group in order to eliminate its presence. Unfortunately, to do so, it would be necessary to fight fire with fire in order to win the war against terrorism. However it would be imperative that we calibrate the narratives, themes, and messages accordingly in order to prevent disastrous after effects.

Kimberly Rodrigues